3/7/2023 0 Comments Barney min dancing ballet![]() A program note included the question, “How do we navigate or occupy the space and time left behind after a loss, and should we?” I wasn’t quite sure what was happening, but I couldn’t take my eyes away from the riveting motion.Īmeya King performed the classical Indian piece, Kalika Stuthi, on Saturday (Manaswi Gonela danced the role on Friday), and I found it interesting that the song sounded familiar as it was written by the choreographer’s father, Satyagopal Tumuluri. In Audrey Baran’s Vacancy ritual, repetition, and meditative poses were set against a soundscape of words, music, conversation, and children’s voices. Though it is constructed of basic studio moves – bridges, contractions hinges – it brought to mind Balanchine’s “Serenade,” as it, too, was created as a showcase for young dancers and an introduction to the choreographer’s technique for the audience. The Trybe Dance Collective’s group work, Marathon, featured a troop of young dancers with tight buns and purple leotards. ![]() The program included six more live dances and four dance films. For some reason, at one point, Rizzuto takes off her shirt and stands topless while her partner politely averts his eyes, but humor doesn’t always have to make sense to make us laugh. Occasionally her voice waned, her partner wearied of the pace, only to rally and rejoin the game. Throughout most of the dance, Rachel Rizzuto counted aloud from 1-10, varying the tempo and accent and sometimes counting to 12. ![]() The title is taken from a Shakespearean reference to the “salad days” or heyday of youth. The work itself, a duet Story performed with partner Kylie LeWallen, is contentious and gravity-defying, and marked by some of the strongest technique I’ve seen in quite some time.Īnother highlight of the program was Sara Hook’s zany and breathless duet Salad Days. ![]() It brought to mind images of Fred Benjamin and Eleo Pomare, two icons of American modern dance for those of a certain age. Jamal Story started standing on one leg, with the other suspended in the air somewhere in the region of his ear while he turned. Leah Glenn set the bar high with the opening work, Perceived Threat. There were some truly outstanding performances, but this time there seemed to be some unevenness in genres, execution, and programming. Like the first week, the program consisted of a mix of live performances and dances created on and for video. The Richmond Dance Festival came back for a second week with all-new programming. Music: “Midnight” by Kyle Preston, “Behind Every Decision” by Yehezkel Raz, “Dark Tension: by Kyle Preston & “Hibernation” by Pete James Johnson. Direction, Choreography & Animation: Charli Brissey.ĬURRENT by Company | E (Washington, D.C.). Music: “Anfangs wollt’ ich fast Verzagan (At First I Almost Despaired)” by Robert SchumannĬanis Major an award-winning film by Charli Brissey. Choreography: Kevin LaMarr Jones with Alyssa Frye, Diamond Hudson & the performers. Retentions by CLAVES UNIDOS (Richmond, VA). Direction, Choreography & Writing: Aina Lanas. Jeremy Rojas & “When I Rule the World” by Lizĭesasosiego. One hundred years flicker I kiss the Snow by Jenna Beardsley (Richmond, VA). Directed & written by Cameron Kostopoulos. Music: Satyagopal Tumuluri.Ī Mother’s Soliloquy a film by Cameron Kostopoulos. Music: “Marathon (In Roses)” by Gem Club. Jaedyn Cameron, Daneya Celestin, Kendall Parker, Chloe Ruffin, Mia Watkins. Marathon by Trybe Dance Collective (a safe space for emerging artists). Perceived Threat by Leah Glenn Dance Theatre (Williamsburg, VA). Virtual Access $39.99 annually (Free Trial currently in effect. Ticket Prices: In-Person Tickets: $20 General $10 Students. Performances: Week One: June 11-12, 2021. DOGTOWN DANCE THEATRE PRESENTS THE 2021 RICHMOND DANCE FESTIVAL LIVE AND IN-PERSONĪt: Dogtown Dance Theatre, 109 West 15 th Street, RVA 23224 ![]()
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